Monday 20:06 WEEK 29 UNEMPLOYED
it aint easy rapping music isnt easy in movies, when we like a take, but it’s missing something we liked in the previous take, so we have to make compromises in the edit bay, because theres a limit to the money we make, or rather, can take we lament on this
in music, u can find yourself on the 100th take. it’s easy to redo and redo takes. to punch-in inbetween lines to ensure the inflection and nuance resonate ive never envied musicians but what this project has shown me… Lord
And rapping requires a.. hang on let me thesauraus a good enough word.. an undue amount of control over tongue and breath control it’s rhyme & rhythm & words with reasons & meanings & it’s acting.
can u act?
Think of a camera codec as a way to describe an image.
a beautiful sunset over the ocean a beautiful sunset over the calm, ocean azure, a swell of vibrant hues a beautiful sunset over the calm, ocean azure, a swell of vibrant hues, of orange, pink, and purple, waves gently lap the shore, seabirds soar, their calls echo softly off the seafloor a beautiful sunset over the calm, ocean azure, a swell of vibrant hues, of orange, pink, and purple, waves gently lap the shore, seabirds soar, their calls echo softly off the seafloor. And theres a salty breeze.
raw is a codec that captures all the information very dense very big file; your computer is sad but your image is the absolute best in the land
my camera has this a friend of mine bought a camera that has this i told her not to i realise now that it’s awful
u can capture most of the information dense file medium sized; your computer is content and your image is really nice
long GOP interframe compressed h264 with reasonable bitrate @ say 50Mb, even at 60.000fps, is very doable. just dont expose like a retard be the good cinematographer
AVC, XAVC, HEVC Yes, the more compressed codecs are often referred to as Long GOP (Group of Pictures) codecs. These codecs achieve higher compression by encoding only keyframes (intra-frames) fully and using predictive frames (inter-frames) to store changes between keyframes.
Yes!
i get it now why professional productions use sony and panasonic cameras, why theyd use xavc ur on shoot 26th of the year, youve shot it perfectly, you have 50 clips of interviewee talking about the legacy of the silly willy company imagine all of that in raw, prores, 3TB of a fucking mockery
so, all the consumers buying up black magic pocket cinema cameras 4k 6k 6k pros are jokers shooting once or twice a year,
2 videos a year for the local church down the road
this is a camera that only does raw and prores and even at 12:1 compression, that raw is heavy, and theyre using 500GB mac pros
my point being you aint making a movie for the big screen youre not doing mad max of the fury colour grading leave the big boy cameras on the shelf and buy you a long gop king
as a reminder, i only own a blackmagic because theyre the only company to offer 60.000fps cameras and with hindsight, they make the camera with the best menus i did believe i could make the ultimate run ’n’ gun with audio and NDs for the sun rig but i think i was wrong it worked for me but there was a lot going wrong i would have posted it here and given a breakdown AND the hilarious thing was that i spent so much money on the cfast cards, cfast reader, sony npf batteries, cage, filters, minixlr to xlr adapter, and lenses, that it just became a typical expensive cinema camera setup, and there was no free lunches.
panasonic ignored me and didnt open up the framerates on the gh series that was a big mistake their cameras had problems but were the ideal state with minimal additional accessories, bells, whistles, and tripod plates
i hate cameras if you couldnt tell from this page